A touch of a blue eyes sun,
Makes a void in his vivid heart.
Around his innocent garden, the night dressed
Little treads of silver blanket.
And a flame of a cloak, which he was born, as flowers,
Cased his past as blind.
I eat from an unripe fruit,
Naןve, as a black lamb, singing about her prayers,
Mischievously between past rhyme identities.
Shivering from the gods trains.
As horses which unravel their hair,
.baring their white teeth,
I grasp my flash.
Harmony, Hegel, The "name of the father" with dialectic to the "voice of the mother"
Well I think that the all anti-Oedipus approach by Deleuze should be read under critical
approach to Lacan- "name of the father". According to "psychoanalysis and quantum
physics" the main approach is dialectic and Hegel. So the question that I would like to
raise is those the phallus contains only a structured "name of the father approach" or
we should find the phallus as more integrated- "name of the father" and "the voice of
the mother"
Well, it is a bit radical, but it can help understanding my "rhythmus approach".
It is based on Hegel definition of harmony, time-space and, the ongoing love for music
from the basis of humanity, which combines lyrics, melody sound, video clips (which I
do not see cause the are repetitive compulsion)
knowing, paranoidic aspects and the paradox of god
Knowing is the touch of god. Practically the subject is in distance from the collective
universe and the real universe and in an interesting space. Maybe, the space of god.
This space is undefined there is no definition in this space (universe) and I "Know" that
there is no definition- this is what I call the paradox of "god knowing".
You can connect the real universe and the paranoid universe with time. In both there is
the need for time.
Analysis:
B.N suffers from "alien's intrusions thoughts". He was connected to a baby which was
in the room he told me that the eyes of the baby are scary. He told that he is swallowed
by the baby. Then he looked at the clock in the room several times and spoke about
time and went out of this regression.
. Maybe when the room of time was filled to the extent of the doubt principle he was in
collective time again.
The space anatomy of the mouth as a psychosexual separate space by Zachi Cohen
Many psychoanalysts relate to the mouth an importance is shaping the subject. Many
consider the dyadic mouth breast but not further to the separate mouth complex and
anatomy.
In a dialectic process in projecting libidinal impulse on the breast, the separation
begins by "playing" with the tongue and the internal mouth. This playing is pre symbolic
pattern that represent the inner world of the infant.
I will now consider anatomy:
The tongue- the active seperative object from the breast.
The same part that gained pleasure by he beast, now gather pleasure investigating the
realms of the mouth, hence body.
The tongue is pre sexual to the clitoris and the pines therefore we can say that there is
no pines envy. The source is the same.
The teeth- represent primal source of masochistic processes which enable
separation' by new representation of the body and its borders
The saliva this object is a physical unification and integration of all objects in the mouth
by combining physical connection of all organ. It is a pre disposition to the urine in later
life.
To sum up- the mouth has a center role of "playing", which transfer the subject from
imaginary dyadic world to real order (Lacan orders) from imaginary breast-tongue-lips
to seperative tongue-body
.
And the face does not cover the insight
And the arms do not cover the moon
And my fingers rhyme my blood
And I will wash myself with the colors of my teeth
Longing fro the blossom of my language
עם ישראל חי,
באהבת עולם ומלואו,
צחי כהן
ישראל
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